|
|
|
Research on World War II History of Ownership
Adolf Hitler’s ruthless ambition for German political control of Europe was
matched by his calculated campaign to control its cultural assets, including works
of art. Between 1933 and 1945, the Nazis confiscated the holdings of many
governments and individuals that they had subjugated. Hitler and his top
advisors admired traditional European art and planned a new museum in Linz,
Austria, that would display the finest examples from confiscated collections.
Hitler’s Reich Marshall Hermann Goering was also building a lavish private collection.
Because they considered it damaging to German ideals, the Nazis despised
modern art. They labeled Impressionist and Expressionist works “degenerate”
and confiscated them from national museums, publicly burning some of these
works but exchanging most of them with dealer-collaborators for desirable
examples of Old Master painting.
In the decades following World War II, many American museums unknowingly
received confiscated works of art. In 1997 the Seattle Art Museum discovered
that one of its works had such a history, which was confirmed by research in
the United States and France. In 1999 SAM returned the painting, Odalisque,
by Henri Matisse, to the heirs of Paul Rosenberg, a French art dealer whose
collection was confiscated by the Nazis in 1941.
Many American museums are now making concentrated efforts to clarify gaps
in their provenance (history of ownership) records from the World War II era
to enable the rightful owners or their descendants to identify lost works from
their collections. Declassification of documents has aided new research and
brought much new evidence and information to light. Still, because many records
were lost or destroyed, gaps in provenance information are not unusual.
The Seattle Art Museum has a relatively small collection of European art,
and research into the histories of these works is an ongoing process. The list
below includes works of art that have gaps in their provenance, have unclear
dates of transfer between owners, or may have been in Europe during the Nazi era
(1933–1945). Their presence on this list does not mean that we suspect that
the Nazis were involved in their history. These are areas where we are conducting
further research to clarify the history of ownership.
This list is a work in progress. As provenance research is an integral part
of the museum’s work, our researchers will continue investigating the histories
of these objects, and we will be posting new information as it comes to light.
Art Loss Register searches have been completed for all recent acquisitions.
If you have any questions or information about the works of art in the Seattle
Art Museum’s collection, please feel free to contact us at
research@seattleartmuseum.org.
We hope that by publicly posting the history of these works of art we may assist
the efforts worldwide to identify works looted during World War II and return them
to the families of their rightful owners.
For more information on provenance standards and research in museums, please see:
- Woman and Girl (Frau und Mädchen),
Ernst Ludwig Kirchner , Germany, 1880 - 1938
- Triton and Seahorse, A Bozzetto,
Giovanni Lorenzo Bernini , Italian, 1598-1680; Lambert-Sigisbert Adam (Adam the elder) , French, 1700-1759
- Abraham Sacrificing Isaac,
Alessandro Algardi , Italian, 1598-1654
- Mercury and Argus,
Jacopo Amigoni , Italian, Venice, ca. 1685 - 1752
- Madame Brion, Seated, Taking Tea,
Jacques-André-Joseph Aved , French, 1702 - 1766
- Mourning Virgin Mary,
Baccio da Montelupo , Italian, 1469-1535?; Giovanni Bandini , Italian (Florence), 1540-1599
- The Adoration of the Magi,
Francesco Bassano , Italian, 1549-1592
- Banquet Still Life,
Abraham van Beyeren , Dutch, ca. 1620/21-1690
- Cupid,
Designer Pietro Francavilla , Flemish, 1548-1615; Designer Giambologna , Flemish, active Italy, 1529-1608
- Portrait of Paul Serusier,
Pierre Bonnard , French, 1867-1947
- Mme. H and Her Children,
Louis André Gabriel Bouchet , French, 1759-1842
- Portrait of a Young Woman,
Agnolo Bronzino , Italian, 16th century
- Dancing Peasants,
Pieter Brueghel the Elder , Flemish, 1525-1569
- Venus and Adonis,
Workshop of Paolo di Gabriele di Piero Caliari (known as Veronese) , Italian, 1528-1588
- Bacino di San Marco,
Antonio Canal (known as Canaletto) , Italian, 1697-1768
- Seascape with Fishing Boats,
Dutch
- The Doge's Palace and the Grand Canal, Venice,
Luca Carlevariis , Italian, Venice, 1663-1729
- A Country Gentleman,
Giacomo Ceruti , Italian, Brescia, 1698-1767
- Girl Holding Doves,
Claude Michel (called Clodion) , French, 1738-1814
- Children Playing with a Goat,
Claude Michel (called Clodion) , French, 1738-1814
- Charles d'Amboise,
Bernardino de' Conti , Italian, Milan, ca. 1470 - ca. 1522
- The Judgment of Paris,
Lucas Cranach the Elder , German, Wittenberg, 1472 - 1553
- Adoration of the Shepherds,
Giuseppe Maria Crespi , Italian, 1665-1747
- Christ, crowned with Thorns,
Hans Daucher Workshop , German
- The Cascatella at Tivoli,
Gaspard Dughet , Italian, 1615-1675
- St. Catherine Meeting the Empress,
Burgundian
- The Triumph of Neptune,
Luca Giordano , Italian, Naples, 1634-1705
- Adoration of the Christ Child,
Gherardo di Giovanni del Fora , Italian, Florence, 1445-1497
- Shepherdess Adorned with Flowers,
Gerrit van Honthorst , Dutch, 1590-1656
- Sabine Houdon at Age Four,
Jean-Antoine Houdon , French, 1741-1828
- The Origin of the Cornucopia,
Abraham Janssens , Flemish, Antwerp, ca. 1575-1632
- Portrait of a Man,
Nicholas de Largilličre , French, 1656-1746
- The Adoration of the Magi,
Master of the Straus Madonna , Italian, Florence, late 14th-early 15th centuries
- Christ Walking on the Water,
Attributed to Alessandro Magnasco , Italian, 1677-1749
- Landscape with Figures,
Alessandro Magnasco , Italian, 1677-1749
- John the Baptist,
Master of the David and St. John Statuettes , Italian
- The Duet,
Jan Miense Molenaer , Dutch, Haarlem, ca. 1610-1668
- Christ on the Cross with the Virgin and St. John,
Lorenzo Monaco , Italian, Florence, ca. 1370-1425
- Christ and the Woman of Samaria,
Francesco de Mura , Italian, Naples, 1696-1782
- Christ Driving the Money Changers from the Temple,
Pieter Neeffs the Elder , Flemish, 1578-1659; Frans Francken III , Flemish, 1607-1667
- Lamentation Over the Dead Christ,
Jacopo Palma , Italian, 1544-1628
- The Virgin Presenting the Rosary to Saint Dominic,
Antonio Palomino , Spanish, 1655 - 1726
- Coastal Scene,
Giovanni Paolo Panini , Italian, 1692-1765
- Head of Christ,
Andrea Previtali , Italian, 1470-1528
- Ecce Homo,
Luca della Robbia , Italian, 1399-1482
- Virgin and Child with Angels,
Atelier of Andrea della Robbia , Italian
- The Last Supper,
Peter Paul Rubens , Flemish, 1577-1640
- St. Jerome,
Jacopo del Sellaio , Italian, 1441/2-1493
- The Lamentation over the Dead Christ,
Massimiliano Soldani , Italian, Florence, 1656-1740
- St. Jerome and the Lion,
Spanish
- Hagar and the Angel,
Bernardo Strozzi , Italian, 1581-1644
- The Triumph of Valor over Time,
Giovanni Battista Tiepolo , Italian, 1696 - 1770
- Self-portrait,
Gaspare Traversi , Italian, 1732-1769
- Christ, Betrayal,
Utrecht Master , Dutch
- Christ, Resurrection,
Utrecht Master , Dutch
- Boys Blowing Bubbles,
Attributed to Michaelina Woutiers , Flemish, ca. 1620 - after 1682
- Allegory,
Stradanus (Jan van der Straet) , Flemish, active Italy, 1523-1605
- Christ on the Road to Calvary,
Flemish
- Church Interior,
Emanuel de Witte , Dutch, 1617-1692
- Barcelona,
Francis Picabia , French, 1879-1953
- Portrait of Bartolomeo Sirigatti,
Artist Francesco Traballesi , Italian, 1544 - 1588
- The Rest on the Flight into Egypt,
Artist Francisco de Zurbarán , Spanish, 1598 - 1664
- Allegory,
Stradanus (Jan van der Straet) , Flemish, active Italy, 1523-1605
- Saint Sebastian Tended by Saint Irene,
Attributed to Georges de La Tour and Studio , French, 1593-1653
|