Why would anyone want to be a scribe?
Statue of a Scribe Amenemhet,
Buhen, Dynasty 18, reign of Hatshepsut (1479-?1458 b.c.), Diorite, 37 x 23 cm.)Theme: Communication
Goal: To promote understanding of the role of scribes in ancient Egyptian
culture
Grade Levels: 3-5
Curriculum Areas: Reading
Materials:
Statue of a Scribe
One copy of four different articles about scribes for cooperative groups
One Venn diagram per cooperative group for the lesson
One large Venn diagram for recording the input from the group
For extension:
Pot shards and childrens scissors or reed pens, ink, and paper
Statue of a Scribe Amenemhet
This work of art is a statue of the scribe Amenemhet who was the son of a chief of the land of Tehkhet in Nubia. He was among the earliest of the Nubians who moved to Egypt. The hieroglyphs on his statue tell his name and his profession. On his kilt the hieroglyphs tell us he wishes to be remembered as the "sturdy manager of the king, vigilant manager of the gods wife, and kings acquaintance."
The statue was found in Buhen, which was between the First and Second Cataracts of the Nile. Statues like this were usually put in a temple near an image of a god, so the owner could share in some of the attention given to the god worshipped there and also to
insure his name and reputation would be remembered. Amenemhet was active at a time when scribes were being elevated from managers to intelligensia capable of preparing texts of many dimensions. Ancient Egyptian scribes wrote manuals on medicine, geometry, astronomy, theology, illustrated maps, games, satires, and comics. In addition, scribes could be called upon to be mediators, interpretors, accountants, and organizers of all aspects of life. All of this began with a scribes ability to write.
Objective 1
Students will observe and describe the figure of the scribe and conjecture about his role in society.
Procedure |
|
What Teacher Does |
What Students Do |
| Guided Viewing: What is the first thing you notice about this statue? What do you find interesting about this statue? Is it a male or a female? What do you notice about the bearing of the person? How is he seated? (Students could try to sit in the same pose.) What expression does he have? What do you think he is doing? What does the placement of the hands tell you? What is the person wearing? What are the marks on his arm and on his kilt? Do you think this person was important? Why or why not? |
Engage in discussion about the Statue of a Scribe. |
Assessment Strategies
Objective
2Students will compare how literacy was taught in ancient Egypt with how it is taught today.
Procedure |
|
What Teacher Does |
What Students Do |
| Read from excerpt from The Golden
Goblet, to illustrate how the hieroglyphs were thought to have developed. (see
Supplemental Materials) How would one learn to use/understand hieroglyphics? Ask students to form cooperative groups to investigate by reading several articles on just how someone would become a scribe. While in groups, ask students to record anything that is particular to ancient Egypt in this circle. Then ask students to decide whether or not it is anything like going to school today. Anything that is similar to modern schools, put in the middle. Variant procedure for younger classes: Choose the more story-like article, read it to the class and do a group Venn diagram. |
Groups of three or four students will
read several articles about scribes and record items according to the teachers
directions. After about 20 or 25 minutes share findings by group, each one adding only previously unshared facts. As a class, students will add the information for the modern side and will determine which ideas are common to both ancient Egyptian schools and modern schools. |
Assessment Strategies
Extension Activities
Students could practice writing hieroglyphs (see page 6) by using student scissors and broken pieces of pots, or using a sharpened reed or pen made from large-diameter straws and diluted poster paint and paper.
Supplemental Materials
Excerpt from Eloise Jarvis McGraw, The Golden Goblet, pp. 45-56
Ranofer is a teenager whose loving fathers death left him in the hands of a previously unknown, cruel half-brother who has physically and mentally abused him. Ranofers father, a goldsmith by profession, made sure his son not only learned the fundamentals of gold working, but also learned how to read and write. His half-brother has placed Ranofer as a common laborer in a gold house. Not only is he within tantalizing sight of a now unattainable career, but he is seemingly involved in the theft of gold.
In this selection Ranofer has spent the night without any food after having been beaten and is restoring his self esteem by remembering the lessons he has learned in scribe school.
Great Lord Ra burst over the eastern horizon just as Ranofer turned into the broad road that edged the fields of the flower growers. Beyond the emerald fields he could glimpse the surface of the river, jeweled with sunlight. A flock of pintail ducks planed down over the papyrus marsh and vanished among the reeds.
"Sah," murmured Ranofer automatically, reminded of his lessons with the scribe. He halted and dropped to one knee, scratching the hieroglyph of the pintail duck in the dust with his finger. By adding a vertical stroke beside it and the picture of a man kneeling, one could write the word sah: "son." Ranofer admired his handiwork a moment, then changed the kneeling man to a sitting woman, obliterated the stroke and replaced it with a bread loaf. Behold! Saht: "daughter."
Ranofer smiled. It gave one a sense of power to be able to write words. He wished, though, that he had not added the bread-loaf "T." It reminded him of his empty stomach.
He got up and hurried on. There were many people in the street now, calling greetings to one another as they set out for their work. Once he had thought of it, Ranofer saw hieroglyphs everywhere. There on a doorstep was a wickerwork basket, "K"; yonder, "N," the ripples on the water. The vulture wheeling above the slow-moving boats was the guttural sound, "ah." Even the boats themselves and the rising sun, the amulet on his wrist and the beetle crawling in the dust were the same as the careful signs he had learned to draw on his clay tablet.
From Michael Sethus, Living in Another Time Series
Sethi knew he was going to be late for school. He had stayed with his friend Ahmose much too long. He began to run, hoping he might still get there on time. When he got to the House of Life, where he studied, he was all out of breath. The building was a part of the temple of the god Amon. It was mainly used to teach future priest and transcribers of sacred texts. Sethi could have attended another school in Thebes. It was a school open only to sons of nobles and princes. But Rekhmire had preferred to send his son to the House of Life because the teacher, User, was his friend. User was a learned scribe. He spent much of his time reading, writing, and teaching.
User was already sitting on the floor cross-legged, and his pupils had formed a circle around him.
"Come in, Sethi," User said.
"Good morning, Master," the child replied as he sat down next to his friend Tuti. Sethi quickly took out his writing tools. He had a writing palette with two inkpots. One contained red ink, the other black. In a small opening in the center of the writing palette, there were a couple of thin reed stems, which he used for writing. The end of the stem had to be chewed in order to obtain the right shape.
"Master, when will we be able to write on papyrus?" Tuti asked.
"First you must practice hard and get better," he answered. "Papyrus is very expensive and is only used for important texts."
"Why is it so expensive?" another child asked. "So much of it grows on the banks of the Nile."
"That may be true," User replied. "But although it is easy to pick, it is not easy to turn into sheets. First of all the plant must be as tall as two men before it can be cut. Then you have to remove the outer covering and cut the soft inner part into thin slices. After that the thin slices are placed on top of one another to form two layers. They are covered with a piece of cloth and then hammered to make a sheet of papyrus. To make a roll, a large number of these sheets are attached to one another.
"Do you think all this work is done so that you can have scrap sheets on which to practice your writing exercises? You have wooden tablets that you can cover with stucco (marble powder mixed with glue) as often as you like. You can also use potshards. They dont cost anything. Be happy with what you have for now. Well, enough of this talk, lets get down to work!"
When he finished giving a lesson on counting, User taught the children how to write a text, using hieroglyphics. The pupils dipped their reeds in water and then in ink. Then they wrote titles in red and the rest of the text in black. Sethi began practicing and carefully traced the complicated signs on his tablet.
Hieroglyphics were small drawings representing animals, objects, and human beings. They could be written in many different ways, horizontally or in columns, left to right, or right to left. It was difficult to write hieroglyphics, but if one worked very carefully, the result could be magnificent.
User looked at each boys work and made some corrections. He praised Sethis work, "If you keep working like that, someday youll be a respected scribe. Your life will be one of pleasure and wealth. You will not have to be a soldier and fight far away from home, nor will you have your hands callused and blistered like workers. Youll never go hungry and you will give orders to others. Youll be responsible for counting the sheep and cattle the peasants bring to the temple to pay their taxes. You will be the one to check and see that each person gives the right amount.
"If youre good at your job youll be rewarded, and you will become more powerful. The king may even place his trust in you. Perhaps hell summon you to his side as he has done with your father, the surveyor, who helps build temples! I want all of you to know that he who can read and write will be wealthy men, because the profession of scribe is worth more than any other.
Tuti leaned over to Sethi and whispered, "Youre lucky our teacher thinks so highly of you. Yesterday he was so angry with me that he called me goose of the Nile. Youre like that animal, he shouted at me, you only bring trouble!" Sethi could not help laughing at the idea of his friend being called a goose.
From Philip Steele, Step into Ancient Egypt
,Papyrus and Scribes
The word paper comes from papyrus, the reed that grows on the banks of the river Nile. To make paper, the Egyptians peeled the outer layer off the reeds. The pith inside the stems was cut into strips, soaked in water, and then placed in crisscross layers. These were hammered until they were squashed together. The surface of the papyrus was then smoothed out with a wooden tool. Other writing materials included fragments of pottery, leather, and plastered boards.
It is thought that only about four out of every 1,000 Egyptians could read or write. Scribes were professional writers who would copy out official records and documents, letters, poems, and stories. The training of young scribes was thorough, strict, and harsh. One teacher, Amenemope, wrote to his students, "Pass no day in idleness or you will be beaten." However, most workers envied the scribes for their easy way of life. They were well rewarded for their work.
School exercises were often written on broken pieces of stone or pottery that had been thrown away. These pieces were known as ostraka. Young scribes would copy exercises out onto the ostrakon and then have them corrected by a teacher. Many examples of corrected exercises have been discovered in Egypt.
Scribes recorded the size of the grain harvest. The farmer would then give a proportion of the grain to the pharaoh as a tax. Many scribes worked in the government, copying out accounts, taxes, orders, and laws. They were like our civil servants.
A scribes pen case contained reed pens and an inkwell. The ink was made of charcoal or soot mixed with water. Scribes carried a grinder for crushing the pigments first. Often the scribes name and the name of his employer or the pharaoh would be carved into the case.
Being a scribe often meant traveling on business to record official documents. Most had a portable palette for when they went away. Scribes often carried a briefcase or document carrier, too, to protect the information they had recorded.
Accroupi was a famous scribe of the Old Kingdom. Scribes were often powerful people in ancient Egypt, and many statues of them have survived. The high standing of scribes is confirmed in the text Satire of the Trades, which says: "Behold! No scribe is short of food and of riches from the palace."
From Geraldine Harris, Cultural Atlas for Young People: Ancient Egypt
Scribes and Writing
Being able to read and write was essential for a career in the Egyptian civil service. Not much is known about Egyptian schools. Some temples ran schools but many boys seem to have studied with local scribes (trained writers).
Reading, writing, and mathematics were the basic subjects. Pupils learned by copying out texts in the two main scripts, hieroglyphic and hieratic. They wrote with pens made from reeds on wooden tablets, pieces of pottery, or scraps of papyrus. Surviving school texts show pupils spelling mistakes and teachers corrections. Discipline was strict: "A boys ear is in his back, he listens when he is beaten."
Be a Scribe!
Some of the texts that boys were made to copy out were about the advantages of being a scribe. They stress that scribes sit in the shade and watch while other people do the hard work. Wealth and success is promised to the good pupil. The texts conclude, "If you have any sense you will be a scribe!"
Scribes were employed to write official or private letters and to draw up legal documents. Other common tasks were recording the progress of all kinds of work and making lists of goods. Educated people read for pleasure so scribes wrote or copied out literature such as proverbs, stories, and love poems.
From Geraldine Harris, What Do We Know About the Egyptians?
Did Children Go to School?
We know little about Egyptian schools, as there are no pictures of teaching. The Egyptians were more interested in the results of education than in how it was achieved. Some of the temples had boarding schools attached to them known as "houses of instruction." Boys were sometimes sent to "wise men" as pupils, and the sons of high officials were brought up at the royal court. Literacy and a good education were very important, and becoming a scribe opened the way to all the professions, such as medicine, the civil service, and the priesthood.
Girls did not go to school but were taught at home. They learned all the household skills and there is evidence that many could also read and write. Poorer children followed their parents work by helping in the fields or looking after the animals.
Studying
Reading was learned by chanting aloud, beginning with whole words and phrases, not with individual letters. Model letters were copied out onto flakes of limestone. (Papyrus was too expensive for small boys to practice on.) Arithmetic was worked out silently. They calculated in 10s, but had no separate numbers for 2 through 9. So 35 was written as 10+10+10+1+1+1+1+1.
From James Putnam, Eyewitness Books Ancient Egypt
Language
The Ancient Egyptian language has an alphabet of 23 letters plus about 700 other phonetic signs (representing sounds). It can be read from left to right, right to left, or vertically depending on the way the signs face. Only the consonants are shown, not the vowels, and there are no full stops (periods). For everyday business a different script was usedmore like our modern handwriting. Letters were written together and not written out as separate signs.
From Tony Allan, The Usborne Time Traveler Book of Pharaohs and Pyramids
Scribes and Scholars
Scribes were near the top of Egyptian society, and capable scribes could do very well. One, Horemheb, even became king. Students were trained rigorously for about five years beginning at the age of nine. This was often a problem because the young pupils could see children of their own age playing in the fields. Papyri have been discovered containing reprimands from senior to junior scribes about neglecting lessons; physical punishment was sometimes recommended. One form of encouragement offered to pupils was a list of the drawbacks of other professionsexaggerated, of course. For example, jewelers and metalworkers were said to choke in the heat of their furnaces, weavers had to put up with cramped conditions. But the scribe could look forward to authority, freedom from taxes, national service during times of flood, and immortality through his writings.
Egyptian artists were professional scribes who specialized in draftsmanship for royal or funerary monuments. From unfinished tombs like that of King Horemheb it is possible to see all the stages involved in painting. First, junior draftsmen drew the scenes in red ocher on the dry plaster. Next, senior artists made corrections in black outline. The painters would then fill in the outlines with color, or sculptors would cut away the background plaster to form a relief for painting.
Scribes had to be experts in writing hieroglyphs, an elaborate form of picture writing using about 700 different signs. It was deliberately kept complicated so that not many people could master it and scribes could keep their special position. Hieroglyphs were used on state monuments, temples, tombs, and religious papyri. They could be written from left to right, right to left, or top to bottom. For business contracts, letters, and stories, scribes used a different form of writing (script), called hieratic, which was a fast-written version of hieroglyphs, always running from right to left. Later on, an even more rapid script evolved, called demotic. At the end of the Egyptian civilization, scribes also had to be able to write Greek, the language of their overlords.
From John D. Clare, Living History Pyramids of Ancient Egypt
Cephrens highest officials, called imakhou (friends of the pharaoh), were usually
members of the royal family. They led trade missions, commanded the army, and acted as
nomarchs (rulers of the nomes). The chief minister of tjaty was in charge of the Treasury
and the House of the Granary (the department of Agriculture) as well as being the chief
judge. Sometimes the pharaoh allowed a favored imakhu to build a tomb by the pyramids,
where he would receive food offerings for the afterlife. All government officials were scribes (educated men). Below the imakhu were the
secretaries, the sandal bearers, the supervisors of the royal meals, and the overseers on
the pyramids. Many other scribes were priests in the hundreds of temples to the gods or in
the mortuary temples.
At School
The Egyptians developed writing before 3000 b.c. They used picture symbols now called hieroglyphs from the Greek word for sacred carvings. They wrote on papyrus, a paper made from reeds, and worked from right to left across the page. Writing in hieroglyphs took a long time because each document was really a very complicated painting. For speed, Egyptians sometimes used a faster, "hieratic," script with simpler symbols.
The people who used the new writing held important jobs and were called scribes. The hieroglyph for "scribe" was a drawing of a paint palette with red and black paint, a water pot, and a brush.
All Egyptian children went to school when they were four years old. At twelve most left school. The boys began to learn their fathers trades, while girls helped their mothers in the house. The sons of officials who were to become scribes went on studying for several years. Some girls stayed on and became scribes, but in the Old Kingdom people often mocked the writings of women.
Many careers were open to the scribes. They might work for the Army or the Treasury. They could go into medicine, the priesthood, or architecture. Teachers encouraged their students to work hard. The life of a scribe is better than most, one old document says. The scribe is his own boss, whereas "the metalsmith works in the heat of the furnace. He stinks like rotten fish eggs."
The scholars learn proverbs and stories by heart and copy texts onto specially prepared pieces of pottery and limestone slates.
They learn reading, writing, and arithmetic, and older pupils study geography and history. Teachers emphasize memorization. Questioning and lack of respect are punished, sometimes by beating.
Sometimes the pupils whisper and daydream and long for noon, when their mothers will bring them a meal of bread and barley wine.
