Past Exhibitions

	One of the sixteen Luohan, 1764
A Black-and-White World: The Art and Lessons of Chinese Rubbings April 10–November 29, 2009 SAAM Foster Galleries

Conceived to preserve and replicate inscribed characters and images–often on ancient stone slabs–rubbings have been collectible items for more than a thousand years. This installation features two groups of rubbings carved some 1,600 years apart and representing two vastly different worldviews: the Confucian order and the Buddhist law. The rubbings in the first group were "pulled" from the carved walls of the Wu Family Shrines, built in AD 151 in Shandong province. The other group comes from stone slabs depicting the Sixteen Luohans (enlightened beings that the Buddha exempted from the cycle of rebirth), created for a temple in Hangzhou in 1764. Within these two groups of images, exemplars of model behavior vary from assassins to chaste widows to monks. Sometimes, art and truth are simply black and white.

–Josh Yiu, Foster Foundation Associate
Curator of Chinese Art

Rubbing of one of the Sixteen Luohans, 1764, stone carvings after original paintings by Guanxiu, ca. 895, Chinese, Qing dynasty, Qianlong period (1736–95), ink rubbing on paper, image: 46 1/2 x 20 1/4 in., Eugene Fuller Memorial Collection, 45.83.12