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Rineke Dijkstra: Ruth Drawing Picasso, Tate Liverpool
November 2, 2010–April 24, 2011
SAM Forum Gallery


Dutch photographer Rineke Dijkstra’s recent film Ruth Drawing Picasso, Tate Liverpool (2009) brings to light the artist’s uncanny ability of capturing the nuances of human behavior on film. Characteristic of her larger body of photographic work to date, Dijkstra’s film focuses on a single subject—a young school girl seated in a gallery at the Tate Museum in Liverpool, England. The artist observes the adolescent subject studying the vivid imagery of a dramatic 1937 painting, Weeping Woman by Pablo Picasso, which shows Dora Maar, Picasso’s mistress at the time, in a state of extreme emotional distress. As we witness Ruth intensely absorbing Picasso’s uncompromising portrait of Maar, we become aware of her increasing engagement in the act of looking—not only in order to “get it right” as she attempts to sketch the image, but taking what she sees and making it her own. Dijkstra’s film involves us in a dialogue about the act of observation as well as artistic inspiration and creativity.

Although Picasso’s Weeping Woman is never actually revealed to the viewer of Dijkstra’s film, you can experience a similar and equally emotive painting from 1937 of Dora Maar weeping in Picasso: Masterpieces from the Musée National Picasso, Paris, a special exhibition on the Fourth Floor until January 17, 2011.

—Marisa C. Sánchez , Assistant Curator of Modern and Contemporary Art

Ruth Drawing Picasso, Tate Liverpool, 2009, Rineke Dijkstra, Dutch, b. 1959, 1 Channel Video HD installation, 6 minutes, 36 seconds, Courtesy the artist and Marian Goodman Gallery, New York.

 

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