Puget Sound Native Art and Culture


Welcome | Salish Art and Culture | Overview of the Exhibition | About Native Teaching | Resource List | Acknowledgments

Tree People | Skokomish Basket | Song For the Moon | Bone Game



 

 

Song, Story, Speech: Oral Traditions of Puget Sound’s First People

 

 “All that is good about our culture is embedded in our oral traditions; everything we need to know to learn how to live in this world can be found there.” —Vi Hilbert

 

This multimedia installation affords an exciting experience of a wide variety of oral traditions from our region, in the form of recorded song, stories, speeches and recollections that have been captured in video and audio. The exhibit features a short (20 minute) documentary on a Native teacher, storyteller and weaver, Bruce subiyay Miller; a “talking Grandmother cedar” video station where students can see short stories told by important storytellers and elders; and computer kiosks that form a kind of “living archive” where visitors can browse through more than seventy-five selections drawn from Native archives and University holdings. Seattle Art Museum Curator, Barbara Brotherton worked collaboratively with a dedicated, Native advisory committee—Vi Hilbert (Upper Skagit), Bruce Miller (Skokomish), and Marilyn Wandry (Suquamish).

 

The songs, stories, oratory and works of art presented in this installation are aspects of encyclopedic cultural knowledge that comprise the ancestral teachings known in the Puget Salish language as huchooseda. One of the meanings of the root word huch is intellect, which for indigenous people of Puget Sound resides in the heart, not in the mind. This simple but powerful concept provides a glimpse into the emotive power of words, songs and objects to preserve and transmit ancient beliefs and to continually refresh and renew the living.

 

Although most Native families and individuals possess songs, stories, dances or ancestral names as part of their personal and collective wealth, there are designated specialists entrusted with the remembrance of family histories and songs, sacred knowledge, and symbolic designs and patterns. It is to these keepers of tradition—the artists, song composers, storytellers and cultural leaders—that this exhibition is, in part, focused; because they are the transmitters of these intangible, yet powerful, traditions.

 

Because Puget Sound First Peoples did not record their language in written form, very expressive and precise oratory methods were developed to convey essential information. Powerful, gifted speakers—whose booming voices echo the length of the great longhouses—welcome visitors to potlatches, relate the significance of gatherings that bring people together, memorialize the lives of important leaders and uplift the hearts of those in need.  Children learn about their tribes’ histories and family genealogies through legends recited by cultural historians over many hours. Stories also link living Native peoples to their mythic ancestors—such as Grandmother Cedar, Raven, and Bear—through tales of encounters and the bestowal of names, dances and songs, upon their human relatives. Practical advice about health and hygiene is imparted through stories, as well as knowledge of the plant and animal world. The origin of basket making, weaving, and other handed-down creative pursuits also make up the repertoire of oral literature. Works of art “tell their own stories”: about the experiences and motivations of the artist, how group-held beliefs are transformed into patterns and designs, and their journeys from owner to owner, from generation to generation.