Dec 7 2018 – Nov 15 2020
Seattle Art Museum
Fourth Floor Galleries
This installation is closed until further notice to help ensure safe physical distancing within the museum.
Get a new perspective on SAM’s popular Porcelain Room through the site-specific work of contemporary British ceramic artist Claire Partington. Taking Tea features an installation referencing Baroque painting and European porcelain factories, as well as a panel mounted with fragments from 17th- and 18th-century shipwrecks. The Porcelain Room is a SAM favorite for visitors with more than 1,000 European and Asian porcelain pieces from SAM's collection grouped to evoke porcelain as a treasured commodity between the East and the West.
Claire Partington reappraises the narrative histories of the porcelain objects. Her figures engaged in the act of “taking tea” give a human face to the European craze for Chinese porcelain on display in the Porcelain Room. Partington’s installation suggests the often unintentional consequences of the porcelain trade during the expansion of international shipping routes. The figures in the installation are steeped in the rarified luxury and high-end fashion these items once conveyed, but they also expose the degrading aspects of trade—the reality of precarious ocean voyages and human exploitation.
Support for this installation was made possible by
C. E. Stuart Charitable Trust
Guendolen Carkeek Plestcheeff Endowment for the Decorative Arts
ArtsFund/Guendolen Carkeek Plestcheeff Fund for the Decorative and Design Arts
The Estate of Anne Bowden
Seattle Art Museum acknowledges that we are on the traditional homelands of the Duwamish and the customary territories of the Suquamish and Muckleshoot Peoples. As a cultural and educational institution, we honor our ongoing connection to these communities past, present, and future. We also acknowledge the urban Native peoples from many Nations who call Seattle their home.