Images: Manuscript of the Sutra on Solemn Attainment of Buddhahood (Datong Fangguang Chanhui Miezui) (detail), 7th–8th century, Chinese, attributed to Dunhuang, Mogao, ink on mulberry fiber paper, Clara Ching, Provenance: Jao Yü Ai (unknown), to Anne Matilda Bille (d. 1942), 1920s–ca. 1937, to Fook-Tan Ching (b. Honolulu, 1987), late 1930s, to his son, Yi-Chuan Ching, 2017.21, Photo: Elizabeth Mann.
Sea Monster, 2018, Vasantha Yogananthan, archival inkjet print on Canson print making rag, 81 x 64 cm.
Two Callas, before 1929, Imogen Cunningham, American, 1883–1976, gelatin silver print, 12 3/4 x 9 3/4 in., Seattle Art Museum, Gift of John H. Hauberg, 89.26, ©️ (1929), 2009 Imogen Cunningham Trust.
Monolithic Impasse, 1964, Paul Horiuchi, casein on mulberry paper mounted to canvas, 77 9/16 x 78 9/16 in., Gift of the Seattle Art Museum Guild, 79.6, ©️ Estate of Paul Horiuchi.
War Woman III, 2014/2019, Joyce J. Scott, American, hand-blown Murano glass, beads, thread, wood, plastic dice, 31 x 9 x 8 in., Benaroya Glass Art Acquisition Fund and Plestcheeff Endowment for the Decorative Arts, 2020, 2020.1.
Belt Mask of Iyoba (Mother of the Oba) Idia, ca. 1517 - 1550, Nigerian, Benin Kingdom, ivory, 4 3/4 x 9 3/16 in., Gift of Katherine White and the Boeing Company, 81.17.493.
Some/One, 2001, Do Ho Suh, stainless steel military dog-tags, nickel-plated copper sheets, steel structure, glass fiber reinforced resin, rubber sheets, diam. at base: 24 ft. 4 in.; height: 81 in., Gift of Barney A. Ebsworth, 2002.43 © Do Ho Suh, photo: Adam Hunter/LMN Architects.
Basket, 2010, Viola Riebe, cedar bark, raffia, 11 1/2 × 10 × 6 in., Native American Art Support Fund, 2013.5, ©️ Artist or Artist's Estate.